Tennessee Historical Commission tells Memphis it must keep hated statue of Nathan Bedford Forrest

The Knoxville News Sentinel reported Friday that the Tennessee Historical Commission rejected an application made on behalf of the Memphis City Council to relocate a statute of Confederate General Nathan Bedford Forrest to a new site more appropriate to the interpretation of Civil War history, with expressed interest from Shiloh Historical Park cited. The statue currently sits in the Health Sciences Park in the city’s growing medical district. The Memphis City Council has argued that the historic statue – gifted to the city in 1905 – is incongruent with the area’s modern overlay of professional offices and the function of the park as a recreational spot for medical students and downtown residents.

The application is part of a review process set forth by the 2013 Tennessee Heritage Protection Act (revised 2016), which is why it sticks to uncontroversial facts to argue for the relocation of a controversial statue. The THPA prohibits the removal, renaming, relocation, and alteration of memorials, statues, and buildings dedicated to military heritage, including what lawmakers call “the War Between the States.” While the law cites a broad cross-section of historical resources, it’s important to acknowledge that lawmakers created the THPA to “protect,” above all, the public display of markers related to Confederate heritage and, indeed, this very statue. The THPA establishes an exemption process governed by the Tennessee Historical Commission, and the application by the Memphis City Council was its first test. While the Memphis City Council was unsuccessful, it is the Tennessee Historical Commission that failed.

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Teaching Public History with King of the Hill (redux edition)

Peggy: If we don’t learn from the past, what’s the point of even having one?
Vance Gilbert: That’s going in the brochure!

“What is public history?”

Although we exist in different interdisciplinary fields and seek varied vocational attainment, perhaps the one thing that truly unites us as public historians is that we’ve all had to flub our way through precisely that question.

It’s a topic that I devote a lot of space to in my undergraduate public history classroom, because grappling with this question is often the start of an intellectual process that ends with a new appreciation for power and the production of history. And because this process is so important, I start it off with a long look at a fictional museum of prostitution from the cult television show King of the Hill.

Yes, I’ll explain.

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